Bridging Heaven and Earth: an investigation in the metaphysics of Martin Luther’s theory of music, in continuous dialogue with Florensky
Keywords:
Luther, Florensky, Theological Aesthetics, Theory of Music, IconsAbstract
In this paper I set out to explore some aspects of Luther’s thought concerning music, as well as to unpack their theological and philosophical implications. To this effect, apart from reading Luther’s work itself, I will establish a dialogue between him and the orthodox theologian Pavel Florensky.